Scholars and tribes

Sayyids might have wished to rule Yemen singlehandedly, but they had to deal with the much more numerous tribal populations of the region. These tribes traced their ancestry back to pre-Islamic times and saw themselves as heirs of an ancient social and political system. Without the support of the tribes, the Zaydi imamate was not viable.

The Imams employed tribesmen as soldiers. The tribes also provided scholars and judges who formed the backbone of the Zaydi imamate’s administration. Scholarship was an important activity for sayyids as well, and the Zaydi Imams were expected to be accomplished scholars.

 

Thus, scholarship, as much as affairs of the state, formed a close link between the imam and the tribes.

While the history of the Zaydi imamate is in many ways limited to Yemen, the Zaydis' scholarly links extend beyond it. One important episode in the history of Zaydism in Yemen was the transfer of knowledge from Iran in the eleventh century. The oldest Zaydi/Yemeni manuscript in the Leiden University Library collection is, in fact, a work from outside of Yemen. This speaks to the long history of connections between Yemen and the broader Muslim world.

 

 

Translation of the song Qaṣīda ‘Man ḥaṭṭa laka yā munā qalbī’ by Anne van Oostrum:

 

'Who has placed the desire for you in my heart' by the Yemeni poet Jābir Aḥmad Rizq (1842-1905).

Who has placed the desire for you in my heart, my heart in which sweetness abides?

You captured my soul as a tyrant, O you who has perfect features, O my gazelle, be frivolous, sing!

By God, don’t be harsh, don’t listen to those who criticize us, and have mercy with the exiled one.

O fairest among all, O you whose saliva is pure wine, who has tasted it, will be weak

You then avoided me completely and tyrannized me, but my love for you lived in my heart.

 

A.H. van Oostrum, 'Music and Musicians of the Hejaz: An Account of the Dutch Arabist Christiaan Snouck Hurgronje (1857–1936)', in: J. Elsner, G. Jähnichen, and C. Güray (eds.), Maqām Traditions between Theory and Contemporary Music Making, Istanbul 2016, p. 195-212. Yemeni music on Snouck Hurgronje’s wax cylinder, c. 1908, Track 5 (Or. 27.131, K21)